These precautions include, but are not limited to, the following:. Read all Safety Instructions, Installation Instructions,. Do not attempt to service this product beyond that. All other servicing should be referred to qualified service personnel. Main Power Supply Verification: Yamaha products are. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and if applicable instructions.
The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. If this product should malfunction, the ground pin provides a path of low resistance for electrical current, reducing the risk of electrical shock.
If your wall socket will not accommodate this type plug, contact an electrician to have the outlet replaced in accordance with local electrical codes. Do NOT modify the plug or change the plug to a different type! The use of an extension cord is not recommended! This display section is located at the left of the waveform display. If the file information is displayed File , click the Device tab.
Specify the volume for playback. In the case of multi-channel sound data, it is not possible to set the volume of the channels independently. This numerically indicates the location at which playback will begin. You can click on one of these values and type in the numerical value from the keyboard of your computer. Numerical values can be input either for the upper time or lower sample fields. Changing one will cause the other to be calculated and set automatically.
If you click on the time axis markings Time Ruler of the waveform display area, the location at which you clicked will be specified as the playback start location.
While sound data is being played back or recorded, the current location is displayed in realtime. This numerically indicates the region that has been selected in the waveform display.
Numerical values can be input either for Sample or Time fields. You can also specify the selected region by dragging to left or right in the waveform display area. If the region length lock button is pressed, modifying either the start or the end of the selected region will cause the other point to be shifted so as to maintain the length of the region. This numerically indicates the loop region. If you specify a loop range and turn on the Loop button, the loop region will continue to repeat during playback.
You can also set the loop range by holding down the Option key and dragging over the time axis Time Ruler located above the waveform display. If the loop region lock button has been pressed, it will not be possible to modify the various loop region values. If the loop length lock button has been pressed, changing either the loop start point or loop end point will automatically modify the other point so as to preserve the length of the loop region.
This indicates the resolution of the time axis horizontal and amplitude axis vertical at which the waveform is displayed in the waveform display area. This area shows a magnified portion of the currently opened sound file. You can use the horizontal and vertical scroll bars to move the displayed portion. You can also click on the overall waveform display Overview to move the displayed area. Overall waveform display. When a sound file is first opened or created, TWE creates waveform display data that is separate from the actual sound data, in order to speed up the waveform display.
This waveform display data will be saved in the same file as the sound data when the [File] menu command [Save As This waveform display data can be created in the background gradually refer to "8. Others" paragraph "Full scan on open," and "7. Waveform Scanning". At this time, the entire waveform is displayed in general outline, and the display will gradually become more accurate. However, display data for the portion that is actually shown in the waveform display area will be given priority.
The portion in which the display data is still begin generated will be shown in a different color than the portion which has already been completed refer to "8. By dragging to left or right over a desired region of the waveform display, you can select that region.
If the selected region is not locked, clicking in the waveform display area will defeat the previously selected region. For sound data which contains two or more channels stereo, etc. Some operations which modify the length of the waveform, such as the [Edit] menu command [Cut], cannot be executed unless all channels are selected simultaneously.
If you press the Option key while the mouse cursor is located in the waveform display, a cross-shaped cursor will appear. This is convenient when you wish to use the time axis Time Ruler and amplitude axis Level Ruler to learn the precise position of the mouse. By holding down the Option key and dragging across the time axis Time Ruler located above the waveform display, you can set the loop region.
Also, when you move the mouse pointer near the left or right edge of the. By dragging the mouse within the loop region brown, with the default settings in the time axis ruler, you can change the location of the loop region without affecting the length of the loop. In addition, if you hold down both the Option key and the Shift key and then click outside the loop region shown in the time axis ruler, the loop region will be extended to that point.
By clicking any other point in the time axis ruler, you can set the playback start time to that location. The overall waveform display shows a graphic image of the entire sound file that is currently opened by TWE. The rectangular bar light green by default indicates the portion of the entire waveform that is currently displayed at a higher magnification in the waveform display.
By clicking in the overall waveform display, you can specify the region of the waveform which will be displayed in the waveform display. You can also hold down the Option key and drag to specify the region of the waveform which will be displayed in the waveform display.
The status bar located in the lower part of the Wave window displapys the following information, from left to right. The progress of the scanning that is performed in order to generate the waveform display data is displayed here as a percentage.
When the scan is completed, this will indicate " This indicates the location of the mouse pointer within the waveform display area. The units are the same as those currently selected for the Time Ruler. If the Time Ruler is not being used, this location will be shown as time hours:minutes:seconds.
Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions. Enter a new password. Basics 1. Operating environment 1. Applicable data 1. Installing and starting TWE 3. Tag Window and Transport Window 3. Tag Window 3. Transport Window 4. Waveform Window 4. File information display 4.
Another necessity when editing a multi-element voice is the ability to turn individual elements off or on. The key indicators corresponding to elements which are on will be lit, and will go out when the corresponding element is muted.
Muted elements are also indicated by a small element number on the left side of the edit display. On all models, individual elements can also be turned on or off while editing by pressing the correspondingly-numbered key on the numeric keypad while holding the [SHIFT] key. The Controller Knobs are conveniently set up to act as data entry controls for voice editing. A small inverse number beside a parameter in the display indicates that the correspondinglynumbered Controller Knob will adjust that parameter.
Normally when you rotate a Controller Knob being used for data entry, the corresponding value changes in relative fashion — i. To put it another way, the central detented position of the Controller Knob will correspond approximately to the parameter value that was on the display before the knob was rotated.
If you rotate a Controller Knob while holding the [KNOB MODE] key, however, the relationship between the controller position and the data value becomes absolute, and the central detented position of the knob will correspond to the exact center of the parameter range. If you do select a different voice number or mode prior to storing the edited voice, the edited data will be lost! So be sure to store edited voice data you want to keep, as described on page After editing the voice as required, press the [STORE] key either while still in the Voice Edit mode, or immediately after returning to the Voice Play mode do not select a different voice or mode before storing the edited data, or the edited data will be lost!
The results can be ideal for real-time performance — as the name of the mode suggests — or for sequencing via the EX Song or Pattern mode, or via external MIDI control.
Either way, the Performance mode offers versatility and control not available in the Voice mode. Plays layered voices. Independent volume, panning, effects, and control parameters are provided for each part, so you have total control over how the parts are mixed to create the final sound.
Straightforward layering lets you combine similar voices to create exceptionally thick, rich textures. You can also detune layers in relation to each other for even greater depth.
Completely different voices can also be layered for unique effects: a fairly common example would be layered piano and strings. But layering is only the beginning …. See the Performance Edit mode parameters, page , for part assignment, volume, panning, effects, and related parameters. You can layer the voices, though, the sounds being produced may be delayed depending on the voice combination. Instead of layering voice parts over the same keyboard range, different parts can be assigned to different areas of the keyboard for split keyboard setups.
A simple example would be to assign a bass voice to the left-hand section of the keyboard and a piano voice to the right-hand section. The Note Limit parameters in the Performance Edit mode are used to assign the various parts to the required note ranges page Velocity switching takes layering a step further by assigning the layered voices to different velocity ranges.
If we assign the first layer — the fingered bass — to the velocity range from, say, 1 through 64, and the slapped layer to velocities from 65 through the total keyboard velocity range is from 1 to , then when we play the keyboard gently we have the fingered sound, and when we play harder we get the slapped sound. Velocity switching can be accomplished by using the Velocity Limit parameters in the Performance Edit mode page Welcome to ManualMachine.
We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions. Enter a new password. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargable battery which if applicable is soldered in place.
Purchase Date. These precautions include, but are not limited to, the following: 1. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change in performance; or e. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. Always turn the power off when the instrument is not in use. This product is not compatible with the XG format or XG song data. Reference Section Voice Mode Introductory Section.
See page 55 for more information. See page 56 for more information. See page for more information. Section Introductory. See page 72 for more information. See page 22 for more information. See page 17 for See page 17 for more more information. Setting Up The EX5 or EX7 can be used virtually on its own — with a pair of headphones or a simple instrument amplifier — or it can be the core of complex and powerful music production system.
Hard Disk, etc. Power-on Procedure Always follow proper procedure when powering-up a sound system to minimize the possibility of damage to the equipment and your ears! Restoring the Factory Set Data In addition to the preset voices which cannot be erased or overwritten , the EX5, EX5R, and EX7 come with a range of pre-programmed voices, performance setups, and other data in memory. System Initialization To completely erase all data in the EX internal memory and initialize the entire system, turn on the power while holding the [EXIT] key.
Extended Synthesis Over the years Yamaha has developed a range of industry-leading music synthesis technologies, each with its individual strengths and advantages. Pressure The amount of breath pressure applied to the reed or mouthpiece, or bow velocity applied to the string. Growl A periodic pressure bow velocity modulation which produces the "growl" effect often heard in wind instruments.
Embouchure The tightness of the lips against the reed or against each other, or the force of the bow against the string. Tonguing Simulates the half-tonguing technique used by saxophone players by changing the "slit" of the reed. Pitch Changes the length of the air column or string, and thereby the pitch of the sound. Scream Drives the entire system into chaotic oscillation, creating effects that can only be achieved with physical modelling technology.
Breath Noise Adds breath noise to produce exceptionally realistic effects with many wind instruments. Harmonic Enhancer The Harmonic Enhancer determines the harmonic structure of the sound to the extent that it can produce radical timbral variations within an instrument "family" e. Filter This modifier is similar to the dynamic filters found in many conventional synthesizers, with high-pass, bandpass, band elimination, and low-pass modes. The Numeric Keypad The number keys are an excellent choice when you know the decimal number of the voice or performance you want.
To return to the normal voice or performance display press the [EXIT] button. For details on the individual parameters connected with each tone generator type, see the following pages: AWM Parameters Page 75 VL Parameters Page AN Parameters FILTER This stage controls the filters provided for the selected tone generator type, and thus allows both static and dynamic timbral control. AMPLITUDE This stage includes all parameters which affect the amplitude or volume level of the sound, including basic level control, touch dynamics, keyboard level scaling, and amplitude envelope generation.
EFFECTS The EX internal effect system provides an extensive range of programmable effects including natural reverberation, modulation effects such as chorus and flanging, compression, distortion, auto-wah, rotary speaker, and much, much more.
Up to elements can be stored onto your EX. But layering is only the beginning … See the Performance Edit mode parameters, page , for part assignment, volume, panning, effects, and related parameters. Example: a simple 2-layer performance.
Example: simple 2-way split keyboard. Example: velocity switched layers. PART 2 Velocity You can only view or download manuals with. Sign Up and get 5 for free. Upload your files to the site. You get 1 for each file you add.
Get 1 for every time someone downloads your manual. Buy as many as you need. View and download manuals available only for. Register and get 5 for free. Upload manuals that we do not have and get 1 for each file. Get 1 for every download of your manual. Buy as much as you need. Setting Up EX System Overview Extended Synthesis AWM Synthesis System Overview Editing Control Voice Store Procedure Performance Store Procedure The Controllers The EX Controllers Controller Sets Sequencer Functions The EX Effect System The Key Map Mode Voice Mode Voice Play Mode Voice Edit Mode Voice Job Mode Wave Edit Mode Wave Job Mode Performance Mode Performance Play Mode Performance Edit Mode Performance Job Mode Sample Mode Sample Play Mode Sample Record Mode Sample Edit Mode Sample Job Mode Song Mode Song Play Mode Song Record Mode Song Edit Mode Song Job Mode Pattern Mode Pattern Play Mode Pattern Record Mode Pattern Edit Mode Pattern Job Mode Arpeggio Mode Arpeggio Record Mode Arpeggio Edit Mode Arpeggio Job Mode Disk Mode Utility Mode LCD Messages Press this key to engage the record ready mode.
You have to press the. Press briefly to move back one measure, or hold for continuous scrolling. Press briefly to move forward one measure, or hold for continuous scrolling.
The Voice mode lets you select, play, and edit individual voices. In the Performance mode you can select, play, and edit individual.
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